![]() ![]() Lady Macbeth manipulates his husband, who declares that he no longer desires to kill the king, Duncan. Arianna Huffington said “having a partner definitely allows you to take more risks” which is directly the truth for Macbeth. Without his wife, Lady Macbeth, Macbeth could have not lost his humanity and dignity. In addition, that not only his ambition but also Lady Macbeth are the strong impact on Macbeth is vital. His ambition by prophecies obviously transforms him to a ruthless and heartless dictator as a result of the desire for power. Shakespeare gives the messages that everyone, even who intends to finish murder, has a guilty and troubled consciences before they do work. The language “Whose horrid image” by Shakespeare tell us that Macbeth’s moral obligation is still upright despite his untapped ambition to murder. Sadly, he believes killing the king is good thing for the throne while his moral standard is speaking himself that cruel murder is frightening and upsetting to get it done as a man who loves the righteousness. He starts thinking that Duncan is the big obstacle in his way to his ambition. When two of prophecies comes true in his life, Macbeth cannot wait naturally his time to king. Macbeth says, “If good, why do I yield to that suggestion/ Whose horrid image doth unfix my hair” (Act 1 Scene 3). Once Macbeth receives the prophecies of the witches, his mind is full of thoughts of ambition to become the king of Scotland. Initially after gaining the title of Thane of Cawdor, Macbeth still remains humble and respectful. Macbeth’s ambition is the essential reason why he turns from an innocent, noble and brave warrior to a violent, bloody dictator. ![]() Macbeth by Shakespeare shows that Ambition is the path way to success, but, without morals, mentor and principles, it corrupts and destroys great people. Macbeth and Lady Macbeth are too ambitious and in the end their ambition causes their death. At the same time, the strong desire for power also catch up Lady Macbeth and has a negative impact on her health and husband. In Macbeth, unchecked ambition for the power is the main message of the play, and it transforms the main characters to a ruthless, violent and heartless tyrant. in Midtown Sacramento.“The great ambition, unchecked by principle, an unruly tyrant” (Alexander Hamilton). 24 at the Capital Stage Theatre located 2215 J St. Ismail are flashed across the backdrop for an inner look at Macbeth's crumbling psyche.Įxpect more action and a bit of gore with this Macbeth as the open stage allows for the actors to create fight scenes that utilize the exits and entrances as well. Clad in gas masks and being accompanied by shrill robotic voices, the witches are undoubtedly more unnerving. Unsettling noises surround the audience in the most tense moments of the performance making for an effective spine-tingling experience. Not to be overlooked is the eerily bone-chilling sound design by Ed Lee. Other stand outs are Shaun Carroll and Dan Fagan. Chisum doesn't miss a beat in either role and is capable of a blood curdling scream worthy of a classic horror film. Her ability to command this powerful role is well met with the supporting cast including Jessica Chisum in the unlikely role of Banquo which is historically a male character and Lady Macduff. The Macbeths' downward spiral is both powerful and emotionally-charged as Steven's Lady Macbeth tempts and beguiles her husband into the power struggle that will eventually be their ruin. A veteran with the Capital Stage, the actress finds firm footing from her first line-"They met me in the day of success"-and powers through to her last. Pairing well with Coopwood's Macbeth is Janis Stevens' Lady Macbeth. However, the infamous struggle within Macbeth between his ambition and his sense of right and wrong has slightly more impact in the prim and proper world of royalty than in an already chaotic post-apocalyptic setting. Captivating the audience with his intensity, Coopwood doesn't slow down playing the role as more defeated than gullible as he is lured into his power-hungry wife's plans. ![]() Scott Coopwood's commitment to his Macbeth is refreshing to see, and his fellow actors rise to meet his enthusiasm for the role. ![]() Capital Stage strips down to get this classically creepy tale across. Shakespeare's shortest tragedy is often overdone with props, effects and elaborate scenery. Donning crude weapons, tattered clothing and rudimentary armor, the characters and their relationships remain mostly untouched. In this fresh interpretation by Capital Stage of 'The Scottish Play,' Director Stephanie Gularte transports the audience from 11th-century Royal Scotland to a Mad-Maxian post-apocalyptic world, 13 years after a global war. From left, Jessica Chisum, Janis Stevens, Scott Coopwood and Shaun Carroll. ![]()
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